I always sit in the stalls as I think you get the best views, but wouldn't sit on the front row again due to a stiff neck!! So if anything is happening higher up the stage you cannot see it. Legroom was adequate for two 5' 10" people, one with a larger than average bottom (!) - and would recommend anyone to see it I have to disagree with the other reviewers who have said Raoul was "awful", he's meant to be lame and drippy, that's the idea! I did enjoy the first half more than the second - I found a couple of the scenes in the second half overly long really. The Project Gutenberg eBook of Critical and Historical Essays, Volume III (of 3), by Thomas Babington Macaulay This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. Chris The priciest seats are also the best, smack bang in the centre of the front rows. In general, it is best to get into the centre of any seating block, as some side seats can be very much on the side. Phantom is also a quiet musical, and does not rely on deafening the audience to be effective, apart from the natural crescendos within the score, and obviously the Phantoms theme tune The lighting is absurdly clever, as are most of the special effects. I am 5 foot 1 inch and was wearing 3 inch heels. This show is simply amazing; the cast do a great job carrying the heavy story and musical score. It looks lavish, and the orchestra is huge by modern standards, but, and it's a big but, IT'S RUBBISH. The balcony seats tend to be pretty high up, but they might be the best choice for the budget-conscious. ", TheGreatHumbug: Theatremonkey is an Affiliate Member of STAR. Whichseats.com can't be held responsible for complaints arising from the use of this website. Perhaps its stalls and pay the big-ticket prices? _______________________. It must have been eight months or so since I saw it and, as far as I can tell, since then only the Raoul has changed which, frankly, can only be a blessing. For the (access rate) of 29.75 I thought it was great value. Enjoy amenities such as VIP entrance, parking, club access and more Need Help? Ramin is worth the ticket price alone. Being so close has some advantages. for a total of only 50! There's still things I would change though - I've never liked the "prima donna" song and could quite happily chop that out of the show and also trim down some of the ballet scenes. Still a top show in the West End, and has the audience numbers to prove it!! We bought tickets for the show on-line, based on theatremonkey.coms comments. You'll have either an incomplete view because of the position of the seats, or something may be in your line of sight - like a pole, speakers, or the sound board. I complained to the box office at the interval, the receptionist was apologetic but confirmed that the seats were not 'restricted viewing' - she gave me a comments card to fill in.However on returning home I e-mailed my complaints to the Theatre and received a reply immediately. Nic Greenshields was in the role, however! And very cramped, would advise booking aisle seats if possible. I could not say anything as we were all so cramped together - it looks like they have added an extra row of seats and pushed the other seats really close together. But I had no need to worry at all! I deliberately didn't buy the cheapest tickets available as I wanted a good quality viewing experience, but I fail to see how we had anything other than the worst seats in the house. I went to see this on Monday 5th January 2009, my first visit. To return to the See Tickets 'incorrect information issue', I emailed them the next day outlining the problem I had encountered. When the actors sang on stage is sometimes was hard to hear, and when the actors sang off stage or a recording was playing it was much louder, so they either make the sound louder when the onstage or quieter when they are off. ALW had intended the show to run at the Palace but was beaten to it by "Les Mis". The seats were quite good, offered great value for money. My personal choice would always be to go for the Dress but being offered 65 seats for 35 made the decision to go for stalls. The view of the stage was excellent, as was the view of the top of the theatre, we had a great sight of The Phantom during his performance in 'The Gods'. That first row or two in the centre of the dress circle are hard to beat, although the middle of the stalls is pretty fine too. BEWARE These seats have restricted viewing (although not sold as such ) the floor of the balcony cuts off the top of the stage. (Pic included, the other 3 members of the party were sat to my right)When we raised this with an usher we were told there was nothing that could be done on the night. I didn't really enjoy this show much and wonder if it's getting a little tired now. For an untrained singer his natural vocal technique is outstanding. Normally 67! Buy your tickets with confidence here. Exactly what you want from a West End show - drama, excitement and a good old dose of gothicness! The only real disadvantage was that it's quite close to a speaker on the wall, which sometimes makes it difficult to locate a voice on stage because the sound's coming from a different direction. THE C AMBRIDGE HISTORY OF I R EL AND The eighteenth and nineteenth centuries were an era of continuity as well as change. A hideously deformed musician enjoys chasing a talented young lady singer around the stage. __________________________________________. __________________________. He is a very strong Raoul, not foppish and weedy at all. Ramin Karimloo played the Phantom. And Ramin looks so different in person (because the make-up is very professional), but bless him he's actually so cute and you can tell he is so overwhelmed with all the fans. All three of us thought it was absolutely outstanding: John Owen-Jones was so powerful and charismatic as the Phantom, his voice was amazing (I was only sorry we didn't see as much of him as I would have liked! The lavish sets and spectrum of colours explode onto the stage, especially at the start of the second act, and capture your attention and your heart. We were seated in the Grand Circle, D5 and D6. More legroom than I expected (still not much, but couldve been worse). Well, what can I say? Alex was very charming, the nicest actor I've ever met. I was totally "involved" whilst watching this one, feeling exhilarated and frightened, then sentimental and even a little tearful at the end!! Phantom of The Opera is like Marmite, you either love it or you hate it. I saw Phantom of the Opera on 12th July 2012 with a friend. Maximum 2 per person, first come, first served. They were schlepping their oversized M&Ms World bags through the aisles, munching snacks, cheerfully commenting their favourite scenes, and exactly during the most dramatic final moments someones phone went off I dont want to sound elitist, but when I pay a lot of money for a Musical the only sound I hear should be from stage, and not the excited yelps of some middle-aged superfan in the row behind me. At the end of the booking process enter the promo code; HMT2023 You must book online and pay BEFORE arriving at the Parking Station. I just love being close to the action and to be able to see the actors faces and costumes properly! They are more central and much closer to the action. We absolutely loved it!! I left the theatre feeling like I'd just witnessed a show that was easy to see quite why it's been so successful, and I surprisingly had a new appreciation for much of the music - that, until Friday, wasn't particularly appealing to me. I was rather annoyed when a man came to the front of the Circle and told everyone to lean back. Ramin Karimloo was fantastic as 'Phantom', but personally I felt he was outdone by 'Christine' played by Katy Hall, her singing was amazing. I was so close I could easily see the microphones of the performers. Becky ________________________________. Cashier said sometimes very good seats can be available at the last minute for 25. The music is so beautiful and the set amazed me with the chandelier and staircase. The story is interesting. ______________________________. This was the first show I ever saw in the West End and that is always an exciting time for anyone. We sell these seats because for many fans a restricted/side view is . Some problem was occurring and the management were called and then more waiting followed and hovering in the eyeline edge continued. Faris. So, I couldn't see the stage properly, and I couldn't just close my eyes and listen. Sofia Escobar is a superb Christine, young and naive, and in fine voice. 11/10. Dont recommend this seat at all. 'Wishing you were somehow here again' in the grave is a richly powerful song, and the lead roles had voices which were shattering. We were right underneath the chandelier. Tickets in the balcony seem to be a waste of money unless you can buy row.A #phantomoftheopera #pha. P.S. I asked if they had anything better and they said, "they might do later". Such an angelic yet powerful voice, a beautiful face and wonderful stage presence. The musical itself was fantastic. It's much more mainstream, with clearly defined good guys and bad guys, and the good guys keep beating the bad guys. We'll probably revisit next year if the kids demand!! The tickets were 40 each, reduced from 55 each as part of a Christmas offer; I would have happily paid full price given the quality of the seats and of the show. 13 February - 2 March 2023. ________________________. Sat in Row C Centre of Dress Circle (perfect) at only 30 (an offer price not always available). She doesn't look like a young girl at all but more like a witch, especially when she sings. Also, I have to say I was quite disappointed that Front of House, while keen to prevent any photos being taken before the show and during the interval, were not so keen to enforce this rule DURING the show - two people on the row in front of us kept taking photos, even using a flash at one point! But it usually works as a traditional two-tiered bank of seats with a narrow causeway separating the sections. He said, just wait a moment. Not the best start to Phantom really and I was quite cross. Visited this theatre for the first time - last minute decision so the only seats available were in the back row of the stalls SEATS 1/2/3. The whole show is hidden behind a huge chandelier, and some very talented singers. The main character's "Phantom" and "Christine" were excellent and put so much into their performances. The show was appalling. The latecomers were held back our side, and then began lots of standing by Ushers in the middle of the aisle waiting to place the theatregoers. Phantom of The Opera London: Fabulous - See 6,989 traveler reviews, 822 candid photos, and great deals for London, UK, at Tripadvisor. (Having watched the 25th anniversary DVD multiple times, I like to think I know every nuance and they just didn't have it yesterday). What are the best seats at Her Majestys theatre? This book defends the claims of historical-critical research into the New Testament as necessary for theological interpretation.Presenting an interdisciplinary study about the nature of theological language, this book considers the modern debate in theological hermeneutics beginning with the Barth-Bultmann debate and moving towards a theory of language which brings together historical-critical . That's it really, one last thing - Scott Davies received a standing ovation when he came on to take his bow - this was the only standing ovation I've ever witnessed for this show, I think it was mainly for his own performance as opposed to the show as a whole. I think it is criminal for the seats in the back row of the Royal Circle to be advertised and sold in the same price plan as seats with a far better viewing angle either elsewhere in the RC or in the stalls. The man next to me was entranced and said it was wonderful, exactly my reaction when I saw it first in 2000. later visit: McCanns Phantom is sensual, poignant and powerful, beautifully vulnerable, played and sung with aplomb. Nobody accuses "Madam Butterfly" or "Carmen" of being out of date because their musical styles are obsolete. We had hoped to see the incumbent Phantom, John Owen-Jones after being mightily impressed by his latest performances in the 'Les Mis' tour and the 'Three Phantoms' concert but unfortunately illness had struck and so with much trepidation we took our seats to watch his alternate Scott Davies. ___________________. I'm 5ft 9". The Theatre advised me where the best seats were and this was reflected in the top price 58 (we paid 38) they were emphatic that the seats we had were not restricted viewing. No seat is far from an actors point of command; and the span of the seats matches their effective span of vision. Sherrie I noticed you also attacked the disco inspired title track. They also claim that until the production arrives they do not know the layout on stage !!!! I've seen many shows and this is undoubtedly the greatest of them all. There was a huge pillar in front of me right in the middle of my eye view, but 10 was well worth it. Probably the best view I have ever had at the theatre. We sat in the Royal Circle rows A and B (couldnt get 6 tickets together) and although one or two parts of the performance are out of view when they go to the far side of the stage generally good seats. Look out for your first newsletter in your inbox soon! Enjoy! What is restricted view at Her Majesty's theatre? So, THANK YOU! However, very disappointed with Theatre Tickets Direct. Nearly all seats have an unrestricted view. The production was inspiring as always; I could never tire of seeing it. Ramin Karimloo was the Phantom and vocally I thought he was quite weak. Or am I missing something? Both of these are true and valid points. The staging was clumsy with actors spending much of the show wandering the stage looking as if they couldn't find a mark and even when they did their delivery was sub-standard. A small queue formed behind us from about 9.30am, and at 10am, the doors opened and we were first to the box office window. Rachel Barrell is the best Christine I have ever seen, it was such a relief to see a real actress/singer after the horrors of Emi Rosum in the movie. Wardrobe, lighting, the set and the orchestra were all very appealing but the cast and direction completely floundered. They afford some brief, but generally pleasant, glimpses of his habits and career; and in a letter, in which Pliny makes application on behalf of his friend to the emperor Trajan, for a mark of favour, he speaks of him as "a most . I have to admit to not being a huge fan of the show, as, although there are many aspects of the production that I like, the show as a whole does not gel for me. ____________________________, 9th July 2011. They are mainly surly or uninterested and as for policing the use of phones or disruptive patrons - well, they may as well not be there (can you tell I am not tolerant of people with no theatre etiquette!!). It delivered as only Phantom can and I thoroughly enjoyed it. Whilst a little disappointed that we were seeing the understudy, we came with open minds. John Owen-Jones was playing the Phantom and I was so impressed by his range, acting and general musicality. I would not recomend the seat for first time watching, but for a repeat visitor it's aceptable. However stay clear of cheap side seats! My criticism of this theatre and show is that unless you book early, the theatre's seat allocations are actually not great (because ticket agencies take their allocations apparently), especially if like me you are picky with were you sit with Theatremonkey's advice at the ready! However, having read a couple of scathing reviews (the Theatremonkey Opinion included), the more rational part of me was expecting a load of over-sentimentalized nonsense. His Majesty's Theatre. The seats were amazing and I was so close to the action, I did not have a problem with legroom or cricked necks. _____________________, Thought I'd drop you a line with regard to my most recent trip to London to finally catch "Phantom," a show that I've wanted to witness for a long time but not enough to fork out for the always-top price and hard-to-get-without-booking-early seats! (Central Stalls an' all!) You won't see me at those kind of things. A word about the staff - I would have thought that faced with the monotony of dealing with the same tourist crowd with the same familiar music they would lose a bit on the service front, not a bit of it. The only seats that are really bad in the Sumner are any in the first row, and the second arent much better. ___________________, Went to see "Phantom of the Opera" on Tuesday 27th June 2006, it was BRILLIANT! I took my mother to see this show as a birthday treat on the 25th June 2005 and it certainly didn't disappoint. 17th February 2011, stalls Row G Seat 22. I would definitely recommend 'Phantom' to anyone. Lizzie still loves the Theatre! This sweeping, irrepressibly inventive novel, is a romance, but a romance of Quite a poor view, I wouldn't want to sit there again. _____________________. After consulting Theatremonkey (thanks again, your website is always a great help), we booked four seats in Upper Circle seats E15 to 18. As for my verdict - it is still the best show in London and a must see (many times)! Whichseats.com can't be held responsible for complaints arising from the use of this website. Tracy (35), Simon (35) and son Chris (18) NOTE: Seat numbers and all Legacy reader reviews belowrefer to the production before it reopened in 2021. This review is the subjective opinion of a Tripadvisor member and not of Tripadvisor LLC. I think we can all be glad he didn't wait for Mr. Schnberg's work to move out or London Theatre would look very different today. Fantastic all the way His Majesty's is a lovely old Theatre. That said, this is a great show and I don't think you can be a regular West End theatre goer and not see it. I shall focus on my experience with buying the tickets, rather than the show itself (which was obviously outstandingly amazing!!!) 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